DGM are a new band to me. That kinda shows just how much I live in the world of progressive metal / hard rock. Don’t get me wrong, I have nothing against progressive metal – bands such as Dream Theater, Shadow Gallery, Symphony X, Bigelf, Opeth and Queensrÿche are all bands that I hold very dear – it’s just that most of the progressive metal bands out there leaves cold, underwhelmed and / or passes my by unnoticed. So, no, I’m not a prog metal fan per se which means that most bands in that genre are bands I just can’t be arsed to follow or even bother with. I have probably heard the name DGM sometime somewhere, but I know for sure that I haven’t heard a note of them before and this album is number eleven in their discography, so there you go. DGM started way back in 1994 as an instrumental power metal band in Italy but with the release of their self-produced debut mini album Random Access Zone the band had turned into a progressive metal band instead. Since then, the band has gone through many line-up changes, in fact all the guys that gave their names to the band – Diego Reali (guitar), Gianfranco Tassella (drums) and Maurizio Pariotti (keyboards) – are all gone today.